my days are too dense
like dumplings with no stew
and when this occurs
I don’t know what to do
but call the doctor
and the ambulance crew
too dense they say
that’s the trouble with you
go write a poem –
a poem or two
lyrics | fictions | episodes ©Edwin Best, 2013-2019
my days are too dense
like dumplings with no stew
and when this occurs
I don’t know what to do
but call the doctor
and the ambulance crew
too dense they say
that’s the trouble with you
go write a poem –
a poem or two
the monastery on the hillside there
was established in the twelfth century
it was used as a detention centre
by the nazis during the occupation
was turned into a casino after the war
and is now a psychiatric institution
actually I made all that up
except for the latter
trust me – I’m a poet
I employ colourful matter
to establish a truth
or at least a particle
indefinite article
a poet must concern himself
with everything and all
from the nature of the soul
to hell’s darkest hole
and he must take risks
soothe troubled minds
and not just his
but all mankind’s
and that is the truth
more than a particle
definite article
shall we talk about the sea now
you and me
or shall we talk about the sky now
you and I
no smoking on the coach please
[first posted 4/6/2015]
the unlocatable sorrows of the heart
cannot be mapped
but may be glimpsed through art –
in colours that in striking ways combine
in music or words that mysteriously
lilt or chime
in no sense do these explicitly impart
significance but make you start
feel elevated – touch – jar
the unlocatable sorrows of the heart
else ask the wind the fire the sea
onky don’t ask me
On the consolations of art,
I shall not start
but lay me down in meadow grass
to watch the sunlight pass
along a spider thread.
And if the birds fall from the air
just at my stare,
I should not care
but let the world be aware
to treat me warily.
And if the family
at picnic in the field
think ill of me,
let me finally impart
that the consolations of art,
though considerable,
are not enough for love,
not by a half.
the experienced walker
walks about the town
dressed in waterproof trousers
his face set in a frown
expecting foul weather
when all around is fine
the experienced walker
has one thing on his mind
the experienced walker
always walks alone
weighing vowels and consonants
on his evening stroll
the pavement is his sounding board
between the shops and home
the experienced walker
never walks alone
the child went to the mother
for comfort
and was handed a glass vessel
glass has many qualities
the most obvious being transparency
the sea around the little bay
is translucent and calm this evening
everything in this world deceives
especially love
true love is transparent
like a poem
let me know our purpose
the reason we write poems
and while I wait
I’ll watch the flight of sparrows
pretending I see eagles
if there are a thousand ways
to hold back time
one would be to journey
down some unknown railway line
and by the winking
of a cheap hotel sign
slip into the forests
of the night
let the night take you
where there is no need for time
or for anything at all
till comes a dripping dawn
devoid of chorus
no joyful music then
to mark the day –
not that it would be
wanted anyway
In wine and verse I bargain with the night,
though wine is once again the favoured option.
The thoughts of men in print now rarely charm,
and tend to bring less sleep than irritation.
As for love, she may as well have been
a dream that I once dreamed in former days.
The pleasures of the flesh and of the heart
by lumps and bumps and groans have been outweighed,
Tonight as stars grow dimmer one by one,
no bright new suns have blazed into my view,
and as for those I marvelled at in youth,
old passions these, I do not now pursue.
From two consuming spheres I seldom stray,
dull circles that I trace to end each day,
sad orbits that bring neither peace nor light,
in wine and verse I bargain with the night.
[Note: The opening and closing lines clearly echo Robert Frost’s “Acquainted with the Night”. This is the second time this has happened. I’ll let it stand as homage to a poem that got itself into my bones. EB]
I have dug too Mr Heaney
with pen and pencil both
I have dug a hole
to bury a mountain in
but found I do not have
much treasure there
only this observation
with which I have the nerve
to make compare
that I sat and watched
my father digging too
but only realised
when the mountain
was no longer there